Monday, December 14, 2020



John Pietaro

from UltimateClassicRock

It would be a fool’s errand in a covid-damaged society to attempt a peaceably gathered year’s end “Best of” list, in jazz or any other genre or medium. But artists of jazz and all avant gardes have been especially susceptible to the considerable financial ebbing and health concerns of this period. Discussing this concept with my wife (and best critic) Laurie, I was caught by her knowing response: “It’s not so much a Best of”, she said, “but a TEST of 2020”. And with so much challenge about us this year, arts implosions being but a skimming of the national surface, I wholeheartedly agreed to offer my “Test of 2020”. It’s one founded on survival and resilience. It is also founded on the power of creativity, whether there is a market or not, as a model for the thriving of us all.

This year, in addition to watching beloved venues shutter (including Café Bohemia where my poetry/jazz series West Village Word was housed oh so briefly), seeing great byways of life and commerce silenced and feeling the struggle and pain of so many, I had to contend with the death of my mother and the rapidly progressing dementia which has leveled my father who is residing in a nursing home. The tremors cross-country were played out in the streets after glaring, violent police murders and the rise of the BLM movement, along with the slow, laborious onset of the election and ensuing insanity spewing from the White House and all walks of the right-wing. And of course, the fight-back against such insanity has too been happily on the rise.

Perhaps the one strength grown of this year from Dante’s fifth circle has been self-contained boldness. Artists of every stripe have poured themselves into practice and expression born of the lockdown and in spite of it. Musicians, dancers, spoken word artists and actors have premiered remote performances across the globe while increasing amounts of visual artists and non-performing writers have made grand use of the internet to present works recent and vintage. And a most welcome shift has been the numbers of remote performances encompassing all of the above. Critics, relying on this advanced viewry, have sought to find fresh means to convey our perceptions, including criticism of the connection’s sound and visual clarity, which reminds us of the shifts in quality of recordings in each epoch, from acoustic to electric recording processes, and 78 RPM to LP, Hi-Fi to stereo, CD to download and back to disc and “vinyl”. Here’s just one more demarcation and the technology has quickly kept up with it.

I’m happy to report that during the lockdown I completed a full poetry collection, The Mercer Stands Burning, published in November by Atmosphere Press, wrote numerous pieces for journals and magazines, completed much of a new short story collection and laid the ground work for And I Became of the Dark, a new album by my poetry/free jazz ensemble the Red Microphone. It was finally recorded on the cusp of December by an expanded line-up that I’m very excited about. Hoping this will be available via a noted underground label soon. It has been a tumultuous and memorable time.

So, in memory of those lost this year as well as the surging need for survival on every level, here is THE TEST OF 2020…

Album of the Year

Anne Waldman, Sciamchy (Fast Speaking Music)

Album, Duet:

Ran Blake and Christine Correa When Soft Rain Falls (Red Piano)

Ran Blake and Andrew Rathbun, Northern Noir (SteepleChase)

Album, Small Group:

Steve Swell Quintet Soul Travelers w/special guest Leena Conquest, Astonishments (RogueArt)

GRID, Decomposing Force (NNA)

Album, Large Group:

William Hooker, Symphonie of Flowers (Org Music)


Miles Davis, The Complete Birth of the Cool (Blue Note)

Unearthed Gem:

Oneness of Juju, African Rhythms (Strut)

Gray, Shades of…Anthology (Plush Safe)

Tribute Album:

Paolo Bacchetta, Yerkir, The Storytellers (Avand)  tribute to Paul Motian

Record Label:


577 Records

Radical Documents

Jazz Performance Video:

Liberation Music Orchestra, “Time/Life, We Shall Overcome”

Jazz Documentary:

Motian in Motion (Aquapio Films Ltd)

 Indie Performance Series:

Brackish Brooklyn

Remote Concert:

Gil Evans Project, Sketches of Spain, “Concierto de Aranjuez”, Jazz Standard at Home, Aug 6

 Pre-Covid Live Concert:

Vijay Iyer Trio with Wadada Leo Smith, Jazz Standard, February 1

Lenny White 70th Birthday Celebration, Made in New York Jazz Café & Bar, January 4

“Jazz From Hell”: Kilter, ir, Titan to Tachyons, NuBlu 151, March 10

Covid-era Live Concert:

Composers Concordance, “We, the Whole People”, Michiko Studios, November 14

 Biggest Heartache:


Harold Budd’s and Blue Gene Tyranny’s deaths

Keith Jarrett’s health

 Small Band:


 Large Band:

Sun Ra Arkestra

Liberation Music Orchestra



Up and Coming Musician: Devin Brahja Waldman (alto saxophone)

Multi-Instrumentalist: Daniel Carter, J.D. Parran

Trumpet: Wadada Leo Smith, Nate Wooley

Trombone: Steve Swell

Flute: Nicole Mitchell, Cheryl Pyle

Clarinet: Don Byron, Ben Goldberg

Soprano Saxophone: Sam Newsome

Alto Saxophone: Gary Bartz, Rudresh Mahanthappa

Tenor Saxophone: James Brandon Lewis, Ras Moshe Burnett, Ingrid Laubrock

Baritone Saxophone: Claire Daly, Dave Sewelson

Violin: Sarah Bernstein, Gwen Laster

Viola: Melanie Dyer

Vibraphone: Joel Ross, Bill Ware

Guitar: Bill Frisell, Mary Halvorson, Eugene Chadbourne

Pedal Steel: Susan Alcorn

Piano: Ran Blake, Vijay Iyer, Kris Davis

Double Bass: Ken Filiano, William Parker, Luke Stewart

Electric Bass: Jamaaladeen Tacuma, Steve Swallow

Drumset: Hamid Drake, Tyshawn Sorey, G. Calvin Weston

Percussion: Warren Smith

Vocals: Fay Victor

Spoken Word: Anne Waldman

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