“Thomas
Chapin: Night Bird Song—the incandescent life of a jazz great”
Film
review by John Pietaro
Have you
had the chance to see this moving, enticing film on Thomas Chapin (1957-1998),
the brilliantly artful saxophonist and flutist? It was shown in various
locations in Manhattan, from City Winery to Lincoln Center, and also in
festivals around the nation and globe, but somehow got passed my watchful
eye. Until now. Just caught a screening in Flushing, Queens last night, and it
was well worth the trip from my Brooklyn home base. Sadly, Chapin’s all too
brief career was also easy to miss, though he was a busy player on the
mainstream scene and also hailed a champion downtown, quickly moving to the
front of the Knitting Factory stage during the later ‘80s and ‘90s. As per the
onscreen testimony of Michael Dorf, Knitting Factory founder, Chapin was the
first artist to be signed to the now sought-after Knitting Factory record label
and the main attraction of the overseas tours he produced under that banner.
Here was
an alto player of constant invention and a wonderfully listenable tone (I
couldn’t help but notice some similarity to that of David Sanborn) who thrived
in settings from Lionel Hampton’s big band, of which he was musical director,
to the incendiary realm of Machine Gun. Throughout the screening, I kept
wondering how I could have not caught on to this deeply talented musician back
then, even as I haunted the downtown venues and played at that original
Knitting Factory location on Houston Street.
Award
winning filmmaker Stephanie J. Castillo was actually Chapin’s sister-in-law, so
had access to not only family members for interview segments, but close friends
and musical allies with the saxophonist, offering viewers a much fuller
understanding of the man than could have otherwise been possible. I’m glad she
did. The documentary is a thorough examination of every facet of Chapin’s
development, success and challenges. Though the story ends with the terribly
young death of the protagonist, his final passing from a vicious strain of leukemia
occurred only after achieving his wish to perform onstage one final time. The
footage of that event, and surrounding interviews, carries every viewer into
the moment and the effect, simultaneously a lamentation and celebration, is
stirring.
“Thomas
Chapin: Night Bird Song” is not to be missed, especially if you were downtown
during the heyday of East Village creativity. Or just wish you were. It hits screens in DC and Charlottesville later this month. On May 6 the Brooklyn Conservatory of Music hosts a concert of Chapin compositions performed by many of the musicians who worked with him over the years. See the above website for details.
Thank you John, you beautifully described my film. It's good to know its effect on you as well, thanks so much for making that trip from Brooklyn! I do hope more people will seek this film out. It's such a reward for those who do! www.thomaschapinfilm.com for details.
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